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Relationship between sound and various markers of identity; race, gender, ability, nationality. On legacies of slavery, indigeneity, immigration, colonial expan..(read more)
Urbanism, popular culture, street life and sonic technologies. Challenges debates surrounding noise pollution and charts an “acoustic politics of space..(read more)
What a wonderful topic! Something many people can connect to, knowing how what the ear perceives can mislead us or, even better, get our imagination to work!
From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands ‘possible world theory’ to think the wor..(read more)
Amazingly thoughtful critiques of pieces and techniques; anyone working in the area of sound art, interactive electronic composition or sound studies needs to r..(read more)
Deleuze’s second work on cinema, completing the reassessment of the art form begun in Cinema I. Influenced by the philosophy of Henri Bergson, Deleuze her..(read more)
An interdisciplinary and sweeping overview,, Toop introduces the philosophy and practice of free improvisation (both musical and otherwise) within the historica..(read more)
Landmark work from 1981- revelatory guide unlocking techniques and exercises used to foster spontaneity and narrative skill for actors.
Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII, a key figure of poststructuralism and one of the most influential philos..(read more)