Broad-ranging issue, with contributions of new editors Jonathan Ellis, Nicholas Gamso, Nicky Hamlyn and Kim Knowles. Main theme is the media artifact.
The courage to face any kind of adversity, and the strength it often takes to persevere is explored in this issue, and film offers up some doozies when it comes..(read more)
New english edition of Cinéma Radical, first published in French in 2008. Lebrat reflects on a cinema that “follows its own rules and questions the very defi..(read more)
Double-size issue: 184 pages of knowledge and inspiration for film lovers! Artist pages, reviews, frame enlargements, photographs, drawings and more!
Always a delight to hold and behold for film freaks. Number 5 explores the shady area of moral ambiguity, shining a light into those dark corners where unscrupu..(read more)
Cult Film Magazine in Dutch language. Special: Dick Maas, vader van de Nederlandse genrefilm. En verder: Highschool Films, Abattoir: The Eyes, The Barge Peopl..(read more)
Adolfas and Jonas Mekas arrived in New York in 1949, leaving Lithuania behind. The camera became their means of expression and cinema invaded their lives.
A series of portraits of film initiatives from around the world, as well as conversations with people who rebooted movie theatres or built them up from scratch...(read more)
What do the Wolf in Berlin, the Deptford Cinema in London and the Dokukino in Zagreb have in common? Throughout Europe, enthusiasts are rethinking the cinematog..(read more)
Le film est déjà commencé? (Has the Film Started Yet?) is one of the Lettrist movement’s most important films. It was originally conceived not as a film bu..(read more)