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To see baritone sax player Colin Webster play, live, is a great experience. His circular breathing techniques impress, but so does the way he employs amplifier ..(read more)
Takehisa Kosugi (1938-2018) first emerged onto Japan’s avant-garde music scene during the 1960s as part of Group Ongaku and the Fluxus movement
“She Wasn’t Solid” .. album by Colombian musician Lucrecia Dalt has an eerie atmosphere: a-rhythmic loops of electronic sound conjure a myster..(read more)
Beautifully conceived and designed, and made during Danielle’s residency in the Vincent Van Gogh House in Zundert. Mixture of songs and field recordings m..(read more)
E was a magazine of experimental and performance writing, visual, concrete, and sound poetry, edited by Marshall Reese and composer Eugene Carl.
Remaster & vinyl reissue of a release from 2014 by Danish musician Mads Emil Nielsen (on C30 tape). The cover artwork by visual artist Dane Patterson is the..(read more)
New album by ṡurely one of the most prolific, hard-working, long-time luminaries of electronic and electro-acoustic music in The Netherlands. Hamburg-based re..(read more)
Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exac..(read more)
Number three! Out of the series of enigmatic LPs made by Goodiepal & Pals, a loose collective organically formed around the Goodiepal family. The Bananskole..(read more)
Debut album by Holly Childs and Gediminas Žygus (formerly known as J.G. Biberkopf). Cinematic and spatial, spoken word embedded in string melodies and minimali..(read more)