A transhuman song cycle for human-like computer voices by Barbara Ellison, delving into the sonic intricacies of voice avatars and the ‘musicalisation’ of T..(read more)
Tuusanuuskat is a collaboration between Es (Sami Sänpäkkilä ) and Tomutonttu (Jan Anderzén). It’s a play on words derived from the phrase “tuusan nu..(read more)
Beautiful and highly engaging compilation made in 2020 by Banabila himself, highlighting his many collaborations with just as many interesting colleagues and en..(read more)
It took a while before this publication found its way from Beijing to my store.. Yan Jun’s books always need time to become as special as they are: in the mak..(read more)
Breach testifies to the blackened sounds of tectonic shifts shaking the worn habits of society’s nature and nurture. NOW! blares from metal screens.
Spatial sounds are crushed and distorted, the sense of air being saturated by the shifting low-end drones and hum of machines, howling reeds and dense white noi..(read more)
Fantastic new release from that funky record label 90% Wasser! First in a series featuring the artists performing at the NNOI Festival held every summer, in the..(read more)
In 2014, audio-visual artist Zeno van den Broek and composer Gagi Petrovic started a large scale composition project, commmissioned by Gaudeamus Foundation.
MÆKUR is the collaborative project of Maiа Urstad, Anton Kats and Eva Rowson. The collective synthesizes artistic, sonic and radiophonic practices to research..(read more)
The new LP by Philadelphia poet and experimental musician Camae Ayewa is even more relentless and dark than “Fetish Bones” from 2016.