Infrasound, ultrasound and other inaudible frequencies evoked to access anomalous zones of transmission between the living and the dead.
Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exac..(read more)
Anthony Di Franco, Gary Mundy, Philip Best, Stuart Dennision, Sarah Fröelich, and Martyn Watts, a bit of the early power electronic days creep in, guitar/bass/..(read more)
6th album by Stuart Carter and Richard Johnson. Still characterized by a largely brutal and uncompromising approach. Rich layers of often organic sound reveal a..(read more)
Originally released as an LP in 2017. Solo-project of Anthony Di Franco, British electronic/rock/noise musician, also member of Ramleh and Skullflower.
Spatial sounds are crushed and distorted, the sense of air being saturated by the shifting low-end drones and hum of machines, howling reeds and dense white noi..(read more)
Following up on Vol. 1. Unforgivingly noisy and clenched monotone grooves, all inspired by the brutalist architecture of her home country
Using elemental, cheap technology, Atnif’s music is heavy and harsh, stripped down to skeletal frameworks, rhythmic noise, rusting metal and weathered con..(read more)
SOON are a duo of noise guitarist Liú Mottes & sound artist Jochem van Tol. Their music moves between spinning and dazzling sound eruptions to piercing but..(read more)
Collects together these futurist manifestos for the first time in English, showing how the origins of modern noise music actually date from a century ago..