Anla Courtis, once leader of the strange Argentine group Reynols, and Kouhei Matsunaga, aquatic bird from Osaka, embark on a quest for a playing field via a working method comprised of four stages of cooperation : solo, remix, telepathic collaboration, and real (i.e. physical) collaboration. Guitar, fragments of clarinet, voice, fingernails, electronic devices, plastic bags, are all witnesses to an intercultural communication more or less at a distance. Drones and hypnotic layers oscillate the sonic space, creating swelling turbulence and a whirling mass evocative of animal laughter. Technology meets myth and disorder.