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Takehisa Kosugi (1938-2018) first emerged onto Japan’s avant-garde music scene during the 1960s as part of Group Ongaku and the Fluxus movement
BIG MAG., published by Rotterdam organisation/venue De Player, is a zine but also a record and also an object of art. But mainly it is seen as a magazine that s..(read more)
A-Musik don’t release proliferously, but when they do it’s good. Andreas Gogol recorded 15 little gems on a 4-track machine, distorted voices, alien..(read more)
The ensemble of musical robots at the Logos foundation in Ghent inspired Leonardo Barbadoro from Firenze, Italy, to compose for it.