Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00

Toshi Ichiyanagi / Maki Ishii - Music for Living Process/ Cho-Etsu
Ichiyanagi’s ‘Music for Living Process’ (14’30) is for flute, shakuhachi, harp, percussion and 2 dancers. Ishii’s ‘Cho-Etsu&..(read more)
Label: Ed.RZ / EDITION RZ 1008
Artist: Toshi Ichiyanagi / Maki Ishii
Medium: LP
Category: Records & Tapes.
Tags: '70s, Chamber Music, Japan, Percussion, Vinyl.

Ergo Phizmiz - Handmade in the Monasteries of Nepal / Eloise My Dolly
Rumour has it that Mr. Phizmiz is able to play every existing instrument and its toy model respectively. He hosts the popular weekly radio show “Phuj Phac..(read more)
Label: Gagarin / GR2021
Artist: Ergo Phizmiz
Medium: LP
Category: Records & Tapes.
Tags: Collage, Plunderphonics, Pop, Vinyl.

As The World Burns - Enter the Pelican
As The World Burns is Mark and Skipp. A two man noise-machine, a drummer too fast for his own good and an egomaniacal bassist with way too much overdrive pedals..(read more)
Label: Uno Animo Records / MMM001
Artist: As The World Burns
Medium: 7"
Category: Records & Tapes.
Tags: 7", Noise-Rock, Rotterdam, Vinyl.
