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With his grainy women’s portraits, Gerard Fieret (1924-2009) managed to antagonize the entire late sixties establishment. In his mouse-infested studio he phot..(read more)
REMI! The artist-run film lab makers manual! REMI has been a 2-year cooperation project including Mire (Nantes, FR), WORM.Filmwerkplaats (Rotterdam, NL) and Lab..(read more)
Compilation of 11 films by Gidal, a central figure at the London Filmmakers Co-op in the 1960s and 1970s.
The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the ..(read more)
Maurer’s extensive oeuvre produced since the 1960s consistently documents movement and displacement, specifically with regard to systematics and structura..(read more)
Available for the first time with English subtitles, this 16 mm film from 1976/77, Schmidt’s first feature length film (color & b/w, sound, 117 min). ..(read more)
Directed in 1927 by Germaine Dulac and scripted by Antonin Artaud, The Seashell and the Clergyman is generally considered to be the first Surrealist film: a key..(read more)
Compilation of works from the 1990s from an artist-run film lab that was started in 1990 by three students from Arnhem, working with Super8 and 16 mm film.
Pitt’s work is like a dream. Things exist out of proportion, shapes shift, characters emerge and then disappear. But like any dream, they also exist with a ba..(read more)