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To my ears these two players have a great chemistry going on between them. Each piece takes you to a new world, now exuberant, then again sweetly melancholic.
Ellen Fullman began developing her installation The Long String Instrument in 1981, in search of tonalities that could not be achieved with traditional instrume..(read more)
Aka Inga Copeland, all about songs that dissolve into bare-bones, stretched-out synth-and-vocal drafts bearing half-cooked traces of club tropes.
To anyone interested in the history of improvisation within contemporary music, the avantgarde pianist/composer Rzewski is a central figure. Earle Brown comes c..(read more)