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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the La..(read more)
To my ears these two players have a great chemistry going on between them. Each piece takes you to a new world, now exuberant, then again sweetly melancholic.
The New York Philharmonic’s disastrous performance of John Cage’s Atlas Eclipticalis; Henry Flynt’s demonstrations against the downtown avant-garde; Charl..(read more)
Unknown gems of the avantgarde in this Baltic state. Opener ‘Merz-Machine’ from 1985 by Sarunas Nakas is amazing enough, ‘Telefonika’ by..(read more)