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Takehisa Kosugi (1938-2018) first emerged onto Japan’s avant-garde music scene during the 1960s as part of Group Ongaku and the Fluxus movement
Second album by this so very special duo. Anne’s recordings of violin, viola and vocal improvisations were the basis for Rutger Machinefabriek Zuydervelt ..(read more)
deli plain this time aroused by Francis Picabia’s classic avantgarde piece La Nourrice Americaine, a piano piece first performed at a Dada soiree in 1920 ..(read more)