The Creeping Nobodies are best defined by the concept of flux and their enthusiasm for experimentation. During a live performance, listeners can expect to witness a propulsive, piercingly loud, fast and heavy song in the vein of the Dog Faced Hermans transition into a droning Vashti Bunyan meets Neubauten dirge, the effect of which may be simultaneously jarring and delightful. The band has released three albums and four eps, put out primarily by Canada’s Blocks Recording Club and Sweden’s Deleted Art, which all reflect the varied and strikingly different musical directions the band has taken through the past 7 years of its existence. The music creates it’s own mood which is definitive, unique, and moving.

These Are Powers make music like cashmere lightning. We are free. We are a language of sound. We are hymns piggybacking on noise collages, club beats and ragas. We are a celebration. We are present in dreams and energy. We are the dynamics of being and the infinity of possibility. Union and improvisation strengthen us. Pat Noecker plays subsonic bass frequencies often mistaken for synthesizers and robotic whales. Bill Salas creates a cascade of deft sonic effects and electro acoustic rhythms. Anna Barie stabs guitar and skulks like a she-wolf with a microphone.

Vinyl: Side A: These Are Powers– Cockles
Side B: The Creeping Nobodies– Exult
CDr: These Are Powers & The Creeping Nobodies– Creeping Powers (Remix [Mash-up]).