Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00

Various Artists - Malawi Grooves 1950, ’57, ’58
This album with grooves by Cewa, Mang’anja, Tumbuka, and Tonga musicians represents only some of Malawi’s many rich musical cultures. Eight of the fifteen t..(read more)
Label: SWP Records / SWP051
Artist: Various Artists
Medium: LP
Category: Records & Tapes.
Tags: African, Field Recordings, Traditional, Vinyl.

Various Artists - Department of Public Sound #1: Communal Conditions
First in a new series: a compilation of articles and works on Sound in Public space regarding Communal Conditions. The design is excellent, and in the same vein..(read more)
Label: De Player / DSPS Foundation / #1
Artist: Various Artists
Medium: Magazine + 10"
Category: Records & Tapes.
Tags: Magazines, Mixed Media, Sound Art, Vinyl.

Zaimph - Mirage Of The Other
Solo project by Marcia Bassett, who is well known for her leading role in freefolk/improv groups such as Double Leopards and GHQ, as well as for her groundbrea..(read more)
Label: Gipsy Sphinx
Artist: Zaimph
Medium: LP
Category: Records & Tapes.
Tags: Drone, Noise, Psychedelic, Vinyl.
