Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Toshimaru Nakamura and Yan Jun - Oh my God, and Yours
Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exac..(read more)
Label: Sub Jam / subjamlp002
Artist: Toshimaru Nakamura and Yan Jun
Medium: LP
Category: Records & Tapes.
Tags: China, Feedback, Glitch, Japan, Noise, Vinyl.
Ignacio Piñeiro y El Septeto Nacional - El Son Es Lo Más Sublime
Cuban musician (1888-1969), bandleader and composer whose career started in rumba and one of the most important composers of son music; in total he wrote about ..(read more)
Label: Malanga Films
Medium: DVD
Categories: Films, Records & Tapes.
Tags: Cuban, Folk, Latin, World Music.
Joris Van De Moortel - Het Geluid Van Witte Rook
Het Geluid Van Witte Rook (The Sound Of White Smoke) is the sound impression of Joris Van De Moortel’s first solo show at Galerie Krinzinger.
Joris Van De Mo..(read more)
Label: Galerie Krinzinger
Artist: Joris Van De Moortel
Medium: LP
Category: Records & Tapes.
Tags: Conceptual Art, Experimental, Vinyl.




