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Following up on Vol. 1. Unforgivingly noisy and clenched monotone grooves, all inspired by the brutalist architecture of her home country
Swiss noise improvisor Möslang on one side, Wendy Gondeln (aka german enfant art terrible Albert Oehlen) on the other. EP from 2016.
Working in the musique concrète tradition, in a wide range of instruments and techniques, going seamlessly from instrumental improvisation to field recording