This is the second release of Max Goldt’s early tape music on Gagarin Records, and yet another brilliant collection of his percussive metallic miniatures. Max has been busy with his music since the late 1970s but is nowadays much more known in Germany for his writing. As on the previous album There Are Grapefruit Hearts To Be Squeezed In The Dark (GR 2020), most of the tracks are created with a simple set-up of prepared acoustic guitar, (pitched) voice, zither, some effect pedals and a multi-track recorder. The rhythmic patterns are played by hand using his self-invented rubbermind method.