Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Lahcen Akil and the Chaabi Brothers - Lahcen Ahkil And The Chaabi Brothers
Lotar player Lahcen Akil (the lotar is a type of lute from the High Atlas Mountains of Morocco) was born in 1969 in the village of Tamlalte in the High Atlas, a..(read more)
Label: Et Mon Cul C'est Du Tofu? / TOFU 90
Medium: LP
Category: Records & Tapes.
Tags: Morocco, Traditional, Vinyl, World Music.
Sun Ra - Strange Celestial Road
Close on the heels of his Saturn album “Sleeping Beauty” Sun Ra recorded this one and is another Funky Bigband affair with three titles. Side A R..(read more)
Label: Celestial / Celestial 3035
Artist: Sun Ra
Medium: LP
Category: Records & Tapes.
Tags: Improvisation, Modern Jazz, Vinyl.
Martijn Comes & Hessel Veldman - Manifest Exodus
Layers of sound and distant voices arise, seem to float on the surface before disappearing again. An album for deep listening in the vein of Lustmord, Lawrence ..(read more)
Label: Dead Mind Records / DMR61
Artist: Martijn Comes & Hessel Veldman
Medium: LP
Category: Records & Tapes.
Tags: Atmospheric, Dark Ambient, Soundscapes, Vinyl.



