Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Okapi & Aldo Kapi's Orchestra - Love Him Vol.1
This is the work of Italian cut up musician Filippo Paolini, who has previously released work as one half of duo Metaxu and one third of trio Dogon, collaborati..(read more)
Label: KML Sonic Invaders / KML 2114
Artist: Okapi & Aldo Kapi's Orchestra
Medium: LP
Category: Records & Tapes.
Tags: Collage, Italy, Nostalgia, Sampling, Vinyl.
Anne La Berge - RAW – Ensemble MAZE
RAW is an interactive composition by Anne La Berge, avant-flutist, improviser and composer. She wrote an open-ended work for ensemble and electronics made up of..(read more)
Label: Unsounds / 59ULP
Artist: Anne La Berge
Medium: LP
Category: Records & Tapes.
Tags: Amsterdam, Bass Clarinet, Composers, Electronic Music, Interactive Technology, Vinyl.
Staplerfahrer - Treetops
Three tracks on this vinyl album from Steffan de Turck, Dutch experimental electronic artist from Tilburg. The title track is the soundtrack for the film Treeto..(read more)
Label: Heilskabaal / HK006
Artist: Staplerfahrer
Medium: LP
Category: Records & Tapes.
Tags: Drone, Noise, Vinyl.



