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His second solo recording, after ‘Like a Melody, no Bitterness’, is intended as a sort of meditation, 1 long laptop piece that feels like a hazardou..(read more)
After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds..(read more)
SPECIAL OFFER. In this project by the Dutch Center for Electronic Music (CEM), contemporary electronica artists were allowed to work in their vintage studio. To..(read more)
A unique collaboration between two legends of Norway’s underground music scene. Free-jazz saxophonist Gjerstad has, over the past 40 years, played with th..(read more)