After previous partnerships with Anthony Braxton and Barre Phillips in the Clean Feed catalogue, here we find the guitarrist in another duet, this time with Nate Wooley. We could expect such a natural gathering between the two innovators of their respective instruments, both devoted to the “expansion of technique and aesthetics”, as Joe Morris puts it on his liner notes – one redifining the use of the electric guitar in jazz, going back to a fingerpicking approach to open a new path, and the other taking the trumpet beyond its lexical and even physical limits, exploring the most basic of all performative factors, like breath, use of spit, and tongue positioning.