I love the word Spelonk. It means “cavern” in English.

“The three tracks that comprise “Spelonk” (simply titled I, II, III) are built with “hardware jams” that I recorded with my live setup. It’s all quite hands-on, with effects pedals, an oscillator, and electronic gadgets. The magic happens when combining different recordings, layering them, and hearing what happens. Listening is always a favorite moment in the process, with a welcome element of surprise. I guess it’s all about creating alien landscapes — alien also to me too — that are exciting to explore.

I hesitate to say much more about these tracks as colouring the listener’s experience would be an unwelcome distraction. Eyes closed… enjoy the ride.”

Rutger Zuydervelt, September 2025

Rutger Zuydervelt (also known as Machinefabriek) combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. The music can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals its depth upon closer listening. The devil is in the details.