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Reissue of a cassette from 1978, that appeared on initiative of Ulises Carrión, now edited anew by G.J. de Rook. Fantastic to have this material available agai..(read more)
Steve Goodman continues to shift his style towards the Funky light wih two more brilliant cuts for Hyperdub further removed from his previous dread bass dubstep..(read more)
Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exac..(read more)
Kidambi’s voice hovers over a scorched sonic landscape informed by Black American liberation music, the devotional fluidity of Carnatic classical