Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Various Artists - reportage: spela själv
February 2010 release ; picture-perfect reissue of this highly obscure(d) 1970 lp (originally released on the pre-Caprice Expo Norr label alongiside sides by Th..(read more)
Label: Expo Norr / Ricks LPRP 1
Artist: Various Artists
Medium: LP
Category: Records & Tapes.
Tags: '70s, Experimental, Folk, Vinyl.
Twinkle³ featuring Sidsel Endresen - Debris In Lower Earth Orbit
A graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam.
The core trio of Richard Scott (analogue synthesizer and elect..(read more)
Label: Cusp Editions / Cusp 002LP
Medium: LP
Category: Records & Tapes.
Tags: Analog Synth, Flutes, Soundscapes, Strings, Vinyl.
Andreas Oskar Hirsch - Summe 1
Hirsch is a musical instrument builder from Cologne. One of his inventions is the Electric Palm Leaf, which also can be heard on this record. Another project of..(read more)
Label: Makiphon / makiphon 002
Artist: Andreas Oskar Hirsch
Medium: LP
Category: Records & Tapes.
Tags: Electro-Acoustic, Instrument Builders, Soundscapes, Vinyl.



