Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Sten Hanson - My Last Works (Public Sound # 6)
Homage to the work and life of Sten Hanson (1936-2013), the Swedish artist who created pioneering work in the visual arts as well as performance art and sound p..(read more)
Publisher: De Player / DSPS Foundation / # 6
Author: Sten Hanson
Medium: Magazine + 10"
Categories: Books & Magazines, Records & Tapes.
Tags: Avant-Garde, Sound Poetry, Vinyl.
Boyd Rivers - You Can’t Make Me Doubt
You Can’t Make Me Doubt is a timeless blues work from Boyd Rivers – played on both acoustic and electric guitar, but with a classic spirit that stretche..(read more)
Label: Mississippi/Change Records / MRP011
Artist: Boyd Rivers
Medium: LP
Category: Records & Tapes.
Tags: Country Blues, Singer Songwriter, Vinyl.
Anaphoria - Footpaths and Trade Routes
ini.itu is releasing the third LP of its catalogue, a 3 tracks album assembled by Kraig Grady under the moniker Anaphoria. In ontrast with his ensemble composit..(read more)
Label: Ini.Itu / # 92
Artist: Anaphoria
Medium: LP
Category: Records & Tapes.
Tags: Atmospheric, Electro-Acoustic, Vinyl.



