Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00
Lahcen Akil and the Chaabi Brothers - Lahcen Ahkil And The Chaabi Brothers
Lotar player Lahcen Akil (the lotar is a type of lute from the High Atlas Mountains of Morocco) was born in 1969 in the village of Tamlalte in the High Atlas, a..(read more)
Label: Et Mon Cul C'est Du Tofu? / TOFU 90
Medium: LP
Category: Records & Tapes.
Tags: Morocco, Traditional, Vinyl, World Music.
Tony Conrad - Ten Years Alive On The Infinite Plain
Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist sc..(read more)
Label: Superior Viaduct / SV049
Artist: Tony Conrad
Medium: 2LP
Category: Records & Tapes.
Tags: '70s, Minimal Music, Pioneers, Strings, USA, Vinyl.
Richard Youngs - Endless Futures
“Imagine Richard Youngs as the junior member of a cabal of prolific and puritanical English musician-mystics, including The Fall’s Mark E Smith, Van..(read more)
Label: Glass Records / REDUXLP015
Artist: Richard Youngs
Medium: LP
Category: Records & Tapes.
Tags: Avant-Rock, Free-folk, UK, Vinyl.




