This issue focuses on novel ways of understanding the world through the moving image and offers their readers a fresh insight into the very basis of cinematic experience. Highlights include Chris Dymond’s article on the limitations of photographic and moving image technologies for representing the full extent of reality, Sarah Friedland’s free-ranging conversation with the curators of three recent exhibitions addressing Speculative Realism, Andrzej Jachimczyk’s late night explorations of streaming cinema, and more.

88 pages, including some beautiful large format film stills, and on the cover: virtual reality film making environment created by Alexander Porter for the speculative documentary film “Truth or Consequences”directed by Hannah Jayanti

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