Daphne Oram - Oramics
She was one of the founding members of the BBC Radiophonic Workshop in
1957, and a true pioneer in electronic music. This amazing double disc
charts her post-BB..(read more)
Label: Paradigm / PD21
Artist: Daphne Oram
Medium: 2CD
Category: Records & Tapes.
Tags: Early Electronic, Female Icons, Instrument Builders, Pioneers.
New Electric Chamber Music Ensemble - The Spirit of Eindhoven
Talking about obscure material at last being brought out again, here’s some history from the City of Eindhoven in the 60s and thereafter. This collective ..(read more)
Label: BV&R / ISBN: 978-90-9020691-2
Medium: CD
Category: Records & Tapes.
Tags: '70s, Avant-Garde, Early Electronic, Free Jazz.
Alvin Lucier - I am Sitting in a Room
One of Lucier’s most classic works and a cornerstone in the world of resonant frequencies, composed in 1970. Performed by Lucier on recorded voice, tape m..(read more)
Label: Lovely Music / LCD 1013
Artist: Alvin Lucier
Medium: CD
Category: Records & Tapes.
Tags: Early Electronic, Sonic Experiments, Spoken Word, Tape Experiments.
Jorge Antunes - Savage Songs
Early Brazilian electronic music (1961-1970) by self-taught composer from Rio de Janeiro. Next to his work with tape/loops & electro-acoustic, he also compo..(read more)
Label: Pogus / P21027
Artist: Jorge Antunes
Medium: CD
Category: Records & Tapes.
Tag: Early Electronic.
Cecil Leuter - Spectacular Stereo Sounds
A collection of minimal bleepery from noted library music composer Cecil Leuter – aka Roger Roger – originally issued by the Neuilly label in 1971. ..(read more)
Label: Creel Pone / 074
Artist: Cecil Leuter
Medium: CD
Category: Records & Tapes.
Tags: Early Electronic, Experimental.
Vladimir Ussachevsky - Film Music
Electronic Film Music includes two lyric, eerie and innovative filmscores, for the film of J.P. Sartre’s play ‘No Exit’ (1962) by Tad Danielew..(read more)
Label: New World Records / 80389-2
Artist: Vladimir Ussachevsky
Medium: CD
Category: Records & Tapes.
Tags: Early Electronic, Film Music, Musique Concrète.
