The essay, with its emphasis on the provisional and explorative rather than on definitive statements, has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences.

This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien.

Paperback, 392 pages, published in 2017.

Nora M. Alter is professor of film and media studies in the School of Theater, Film and Media Arts at Temple University. She is author of Vietnam Protest Theatre: The Television War on Stage (1996), Projecting History: German Nonfiction Cinema, 1967–2000 (2002), and Chris Marker (2006), and co-editor (with Lutz Koepnick) of Sound Matters: Essays on the Acoustics of Modern German Culture (2004).

Timothy Corrigan is professor of cinema studies, English, and history of art in the Department of English at the University of Pennsylvania. His books include A Cinema Without Walls: Movies and Culture After Vietnam (1991), New German Film: The Displaced Image (1994), The Essay Film: From Montaigne, After Marker (2011), and (with Patricia White) The Film Experience: An Introduction (2004).