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Kidambi’s voice hovers over a scorched sonic landscape informed by Black American liberation music, the devotional fluidity of Carnatic classical
These works are fantastic.. You feel surrounded by pure nature but somehow an abstract, almost alienating version of it. Images take abstraction a bit further, ..(read more)
Scott Cazan’s performances and installations speak to a fascination in the fullness of sound as well as an interest in network and information theory. Lik..(read more)
Takehisa Kosugi (1938-2018) first emerged onto Japan’s avant-garde music scene during the 1960s as part of Group Ongaku and the Fluxus movement