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The Pitchfork review of Rivington Não Rio: “The beats Guillermo Scott Herren has been constructing as Prefuse 73 for 15 years resemble the work of a mast..(read more)
What we have here is two substantial pieces: Programme commun pour clavecin et bande magnétique/1972 performed by Elisabeth Chojnacka and another previously un..(read more)
The 2005 Ars Electronica Festival focused on the impact of digital and information technologies on virtually every aspect of social, political, economic, and cu..(read more)