Chupame El Dedo - Chupame El Dedo
This is a band you should see live at least once! As it is hard to imagine something like grindcore cumbia. The duo of Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo, Los Pirañas, Ondatrópica) prefer to live cumbia the rough psychedelic way.
It started with a commission by Detlef Diederichsen, director of the ‘House of World Cultures’ in Berlin for a Festival called “Evil Music” or “Böse musik” in October 2013. The idea was to recreate a death metal group with influences of tropical music. This record (Eight tracks, around 25 minutes total time) dates from 2014 and was recorded live at the Isaac Newton Studios in Bogota. Álvarez and Ojeda explore grindcore, speed and black metal cliches whilst getting your hips swaying with a tropical rhythm section made of salsa, cumbia, currulao & reggaeton.
The result is pure tropical madness, stylistic dislocation and very very fast drums. Head banging mojitos!
€20.00

Tingis - To Hear is Like Making Holes
Tingis is another name for Tangiers, which was the place where this guy was born. He makes loop-constructed, dark ambience reminiscent of Ghedalia Tazartes or I..(read more)
Label: Hausmusik/Kollaps / 48
Artist: Tingis
Medium: LP
Category: Records & Tapes.
Tags: Dark Ambient, Electro-Acoustic, Vinyl.

Philip Corner - Battutosso / Bone Pulse (And Other Nature Musics)
This vinyl release features recordings from 1989-97 of the US composer experimenting with bones, tracks: “Battutosso / Bone Pulse”, “The 100 M..(read more)
Label: Ricerca Sonora / RS5
Artist: Philip Corner
Medium: LP
Category: Records & Tapes.
Tags: Field Recordings, Sonic Experiments, Vinyl, Xylophone.

Milk From Cheltenham - Triptych Of Poisoners
The first-time vinyl reissue of the sole album from UK DIY legends Milk From Cheltenham, originally released in 1983 on famed It’s War Boys imprint, is re..(read more)
Label: Superior Viaduct
Artist: Milk From Cheltenham
Medium: LP
Category: Records & Tapes.
Tags: '80s, 1983, Avant-Garde, New Wave and Post-Punk, UK, Vinyl.
