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Comparable to ‘Scrabbling at the Lock’ from 1991 (this one 1993).
Takehisa Kosugi (1938-2018) first emerged onto Japan’s avant-garde music scene during the 1960s as part of Group Ongaku and the Fluxus movement
“Over the course of their first four albums, Radian perfected a painterly approach to sound construction. What makes the instrumental Austrian trio except..(read more)
In 1970 Polydor Records funded an unusual experiment. They gave some unknown German musicians a retreat in the countryside near Hamburg, equipped it with a stud..(read more)