On her third album for Hyperdub, Laurel Halo continues to resist classification and deflect interpretation by treating the human voice like a synthetic material to be molded and shattered.
“On the ferociously ambitious Dust, an album that feels like it was constructed in zero-gravity conditions, Halo has reached a kind of synthesis of all that came before. If, as she reminds us, her instrumental music is no less “authentically human” than her vocal music, then Dust sets out to show that the human voice is not much guarantee of authentic humanity either.” (Chal Ravens, reviewer for Pitchfork). Also available here on LP.