In Dutch. Oskamp sketches the history of electronic music in The Netherlands. A Utopian belief in technology and a rather anarchistic approach to this new means of sound production led to a plethora of professional and private studios. She sees it as a perfect outlet for post-war composers who were intellectually and artistically challenged by the new perspectives created by electronic sound generators and tape manipulation. Pulished in 2011, paperback, 251 pages, 12 b/w illustrations.