Final album of Ikeda‘s trilogy on raster-noton since 2005 (Dataplex, Test Pattern preceded) that has been exploring the potentials between “data of sound” and “sound of data”. As before, his highly refined craft of turning digital information technology into a captivating, moving hearing experience, is outstanding. Ikeda integrated, differentiated and re/de/meta-constructed the music of his previous 2 albums and that of his other art installations/projects. Supercodex is also inter-related with Ikeda‘s long-term installation and performance project “Superposition” since 2012 that focuses on quantum information.