David Maranha: Hammond organ, violin, Jasmine Guffond: electronics, Patricia Machás: Harmonium, bass drum, bowed piano / Torben Tilly: electronics. Two raga-like tracks reflecting the qualities of the two contributing sides – Guffond and Tilly’s loop-driven fragmented melancholic electronics and the hypnotic and ritualistic electro-acoustic drone studies of Maranha and Machás. Such a union forms an intense patchwork of eternal sound vibration in which fuzzed-out organ riffs keep realigning themselves and ululating digital scree unravels in a series of convulsive but cyclic turns, while delicate violin descensions and processed harmonium drones draw out a pulsating soundspace.