October/November 2009 issue with an elaborate amalgamation of art, music, Bewegungskunst and the things in-between and off-center. Andrew Weatherall talks some sense into the superficial British music-scene, David Bowie’s son Duncan Jones discusses his retro-futuristic directorial debut Moon, the Anti Pop Consortium are quizzed about starting all over again, and Tom Sachs, that pioneer of sustainability, (who designed the cover), proves that he’s the second best Jewish carpenter on this planet.