Moor Mother - Fetish Bones
“… forget all your academic noise pieces, this is a truly, really “brutal” record to mutter “brutal” to. Brilliant, affecting, and exhausting.” … says Richard Foster, reviewing for The Quietus. Read the complete review here.
Philadelphia-based artist and community activist Camae Ayewa recasted the protest song as a moving electronic collage. She herself describes her music as “blk girl blues”, “project housing bop” and “slaveship punk.”