Gareth Davis & Merzbow - Atsusaku
Atsusaku is the collaborative output of bass clarinet virtuoso Gareth Davis and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis’ reed sound being compressed and constrained by the saturation of Akita’s textures, that the album was born. The acoustic sound has to deal with a sweep of sonic overload, but through limitation and pushing the mechanics of the instrument itself, it acquires a space with layers of self-distorted screams. Haihan, a furiously abusive maelstrom of coloured noise, digital cross-fire and distorted bass clarinet is unrelenting as it searches for moments of pulse within the haze only to move abruptly back into the mechanical barrage of looping textures. Kyouhan is is far more open in its texture, the low-end layers of reeds moving across the sound space as the squall of chirps and mechanical screeches build slowly into a dense mass of reverberated pointillist details.
Graphic design by Rutger Zuydervelt.
Mastering by Jos Smolders.